Minions Gets Best Previews for an Animated Pic in the Pandemic Era
The little yellow heartstring tuggers have done it again. Minions: The Rise of Gru has managed to pull in not only the best previews for an animated picture in the pandemic era, but also nabbed themselves an Independence Day 4-day opening record, too. Entertainment attorney at Blake & Wang P.A, Brandon Blake, breaks the Grus…er..news
Brandon BlakeIndependence Day Record
Over its 4-day Independence Day weekend opening, Minions: The Rise of Gru has netted a solid $125.1M. Its 3-day of $107M is also the second-best in the franchise, after the 2015 Minions movie. Its 4-day takings also are hot on the heels of the original Minions movie, which took in $128.7M
Of course, there’s no real question why. The comically wordless, frantic antics of the Minions IP has been backed by a multimillion dollar marketing campaign spanning the whole globe, and various kid-centric marketing items have netted extraordinary tie-in sales. Still, an IP that hasn’t dimmed in over 12 years is one worth celebrating. It’s also not one you can build with streaming alone, as the underperformance of animated films from Disney and Pixar continue to prove.
The Importance of Solid Release Dates
The Minion’s franchise also provides what marketing partners want- a stable and reliable release structure. When films with marketing tie-ins suddenly shift theatrical windows, or jettison them for streaming and day-and-date, partners get understandably angry. With careful manufacturing and marketing timelines, a whimsical shift can be devastating to these tie-in partners.
Spider-Man: No Way Home and several movies since have already proved that families want to go back to the cinema- and already are. Sonic 2 and the more surprising Sing 2 had fantastic traction for what was anticipated, too. Nor did the Minions release forget streaming altogether- a co-branded Minions: The Rise of Gru x The Office custom animation dropped on the studio’s streamer, Peacock.
Further evidence, if needed, that the argument never has been theatrical vs streaming. The most profitable films- including animation- are those that can leverage both smartly together.
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